Religion

Rainy season, it has to be said, isn’t the nicest time of year. The humidity ramps up enormously, and, as the name suggests, it tends to rain rather a lot. Yet despite such unpleasantness, June is a popular month to get married in, and probably just as popular as a venue is Tokyo’s Meiji Shrine. A money making machine that at the weekend sees up to around 15 weddings in a single day.

Given the surroundings and the ceremonial outfits, the public procession element of each service is quite the spectacle. An aspect that used to garner a huge amount of attention due to the shrine being a popular tourist spot, but it was just me and a young family watching on Saturday. One of the many very visible changes of the world we now live in. A new world in which this young couple are starting a new life in. But it’s a journey they are embarking on together, and one that started out in some style to say the least.

The blustery weather was absolutely biting, but the colours of this kimono and the late afternoon sun at least offered the suggestion of some warmth.

Tokyo is a city of contrasts, as well as constant surprises, so even if you know what’s round the next corner, you never really know what you are going to see. It could, for example, be a Buddhist playing a bamboo flute. Or possibly even more unexpected, a foreign person taking photographs.

Traditional Japanese festivals are always worth seeing as there’s a unique energy that makes each and every one of them enjoyable. But for those involved, the effort to create that dynamic can clearly be exhausting.

Miko, or Shinto shrine maidens, can often be seen selling amulets, taking part in ceremonies, or swiftly moving from one building to another. Young, identically dressed women who once had important roles within the religion, but nowadays are generally just University students helping out on a part-time basis.

Still, regardless of their status, or level of training, getting the chance for a quick portrait isn’t a common occurrence. At least not for me it isn’t, anyway. So here — in monochrome as it seemed best suited to the almost timeless nature of her position — is a rare photo of a Miko quietly going about her business.